The Adventures of Bayou Billy (1991), known in Japan as Mad City (1989), is one of the more obscure Konami titles and a forgotten soundtrack by Hidenori Maezawa. Nice graphics and tripping music, the game is forgotten because it was infamous for its difficulty (Spoony Experiment has a fantastic Until We Win feature about it). Billy West must save his girlfriend Annabelle Lee from the vicious gang of Godfather Gordon, fighting his way through swamp and street, driving a jeep through the bayou… Sorry, Billy, but it’s times like these when you’re probably better off just finding a new girlfriend! (and get a shirt while you’re at it!) Anyway, the music is fairly unique, quite a different sound from much NES music of the time, particularly the first stage theme, “Street & Swamp Fighting” .
The piece opens with a funky guitar and hip swamp bubble popping. The main melody is played on a square wave whose identity is a little hard to pin down – perhaps trumpets or strings? – with some nice highlights from the trumpets. Its grungy slide is similar to that found in Teenage Mutant Ninja Turtles and Battletoads, a slam beat from the bayou. At 0:37 there is a nice break with punctuation from that dancing guitar. Coupled with the opening, the first loop is at 1:00, but after this, the loop length is 37 seconds, which is pretty decent, especially since the track is fairly dynamic.
The real reason I wanted to talk Bayou Billy though was this awesome arrange by Evil Horde called “El Lagarto“. I gotta say, this one took me by surprise, as I’d never heard the soundtrack before. The 70s disco-funk guitar is back with some slick Latin clapping and salsa-hot percussion – with a bongo solo at 3:16! Also check out that clapping break at 1:36 – this track is super-slick. This is sure to get your toes a-tapping and the ghost of Ricardo Montalbon dancing. Take a unique soundtrack and add a mix like this – a complete blast that’s also different from anything I’ve heard! The title, “El Legarto”, is the Spanish word for lizard – as in alligator!
The kings of this soundtrack are Jun Funahashi (Ys VI, Lost in Blue) and Hidenori Maezawa (Contra, Super C), who later collaborated on Castlevania III, which is some of the best music on the Famicom. The other composers were Atsushi Fujito (Castlevania: Bloodlines, Contra III: The Alien Wars) and Shinkon Ogura (Snake’s Revenge). Killer composers, all.